By Jacques Derrida,Peggy Kamuf,Kaira M. Cabañas
For Derrida, what used to be at stake used to be what it intended for the museum to show Artaud's drawings and for him to lecture on Artaud in that institutional context. pondering over the performative strength of Artaud's paintings and the relation among writing and drawing, Derrida addresses the multiplicity of Artaud's identities to confront the modernist museum's valorizing of originality. He channels Artaud's specter, speech, and fight opposed to illustration to try to carry the museum answerable for attempting to confine Artaud inside its different types. Artaud the Moma, as lecture and textual content, finds the problem that Artaud posed to Derrida—and to paintings and its institutional background. a strong interjection into the museum halls, this paintings is an important second in Derrida's notion and an insightful, unsparing examining of a hard author and artist.
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